Spike Lee is to Woke what Wiley is to Grime; The Godfather. What is “woke”? Well, it can be used as a noun or an adjective. To be woke is to be conscious or enlightened specifically about socio-political current affairs and history. At the end of School Daze [1988] Spike Lee has Morpheus shouting “Wake-Up!” as a call to action not only for the other characters, but for the audience as well. Throughout his films and documentaries Lee’s desire to encourage viewers to be conscious of the effects of colonialism, racism, segregation and police brutality, to name a few of society’s ills, have been both artistic and effective. Chi-raq is no different. It is a beautiful, powerful, heart breaking retelling of Lysistrata, the Greek satire by Aristophanes. In all his hyperconsciousness, one subject slipped past him in creating Chi-Raq- misogynoir.
Read moreBritish With American Taste... In TV
“Watch where you’re going nigger.” Shouted a large, leather clad biker after he nearly knocked me down one spring afternoon in 1998 when my mother and I were on our way to what is now the Morrison’s in Peckham. Even at that age I had to look around for who he was talking to because I personally didn’t know any niggers and I knew for damn sure I wasn’t one. Look, the truth was I didn’t even know I was black until I returned to Britain or rather I didn’t know it was a thing. I had lived in Zimbabwe with my grandparents up until late 1996 and had started life with black, brown and white friends who I considered all to be the same, to me we were all Africans. More than that we were all just people. When I got to London I didn’t understand why the houses were so close together, why the cold was a palpable thing you could almost touch or why people who looked like me were so hard to find on the TV. Thank God my mum, in her infinite wisdom, always knew which channel and at what time black people would be on the TV. As the nineties wound down and the noughties took hold it became harder and harder to find black or brown people on mainstream British Television in shows made for and by us. One by one my favourite British TV shows for people of colour were killed off; 3 Non-Blondes 2003, The Crouches in 2005, The Kumars at No.42 in 2006, Little Miss Jocelyn in 2008 and soon all I had left was my beloved Sky channel; Trouble.
Read moreBeyonce & The Reclamation of Black Hair
I was getting ready to get food when Beyonce dropped her epic, Melina Matsoukas directed video Formation. It was two hours later when I heard my stomach groan in protest that I realised I was still sitting naked and hungry, face awash with tears. “Is it that serious?” Yes. Beyonce has long signified to me, and many others, what true glory looks like. In this, her latest in a never-ending parade of wig snatching masterpieces, Beyonce presents us with so many powerful images; the police car drowning in Katrina, the black boy wearing a hoodie dancing in front of a line of police officers, “stop shooting us” spray painted on the wall. I could spend hours analysing each of them. But because I know for a fact that Beyonce wants me to win in my own life too, she’ll be happy if I focus on just one; black women’s hair.
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